![]() 178) and a "highest formula of affirmation" (1888/1986a, p. If it is possible, did Nietzsche himself, that great alchemist of pain, succeed in this task? He referred to Eternal Return variously as the "most scientific of all possible hypotheses" (1886-1887/2003, p. His thought-experiment invites a question of whether it is possible to transcend the terror, overcome resentment, and say yes to life full of pain and suffering. Its two aspects, that of terror and that of exhilaration, reflect a duality in his soul. Everything he wrote evolved from himself and returned to him, and the idea of the Eternal Return of the Same ( die ewige Wiederkunft des Gleichen) is no exception. Nietzsche's philosophy cannot be separated from his life. It has gradually become clear to me what every great philosophy has hitherto been: a confession on the part of its author and a kind of involuntary and unconscious memoir. Thus Spoke Zarathustra, Of the Vision and the Riddle) Solve for me the riddle that I saw, interpret to me the vision of the most solitary man! Under her captivating gaze, a hero's journey towards selfhood becomes a journey into the night of madness. The beguiling beauty of Medusa makes her an ambiguous symbol of exhilaration, as well as terror. Linking it with the head of Medusa in his unpublished notes, he hinted at its petrifying quality. And yet, there was something disturbing about this dream-thought, and Nietzsche shuddered at any mention of the thought. ![]() In the years that followed, Nietzsche produced his greatest works that assured him an unassailable place in Western philosophy. Its likeness to Mandala, a Jungian archetype of wholeness and the self, is striking. From the turbulent and frightful experience, a symbol of transfiguration emerged in the shape of Eternal Return. This event is interpreted in the light of Freud's theory of repetition compulsion, the uncanny, and the oedipal confrontation with the unconscious. On the anniversary of long-buried loss and pain, his psyche was temporarily flooded by archetypal imagery. Like Dante, in 'the middle of life', he walked down the wooded Alpine slope and entered his own Inferno. The idea belongs to a moment of ecstasy which Nietzsche experienced during the summer of 1881 in Sils-Maria, in the Swiss Alps. None of these, however, has examined the significance of this thought for Nietzsche, the man. Nietzsche never explained his 'abysmal thought' and referred to it directly only in a few passages of his published writings, but numerous interpretations have been made in secondary literature. This essay is an interpretation of Nietzsche's enigmatic idea of the Eternal Return of the Same in the context of his life rather than of his philosophy. Caed Dhu - By tych, co nami władną, postrącać z oł.Nietzsche's Eternal Return: Unriddling the vision, a psychodynamic approach.Loren Auerbach & Bert Jansch - After the Long Nigh.Malleus Maleficarum - Taedium Vitae (2002).Mad Doctor X - Picnic with the Greys (1997).Goat Torment - Dominande Tenebrae (2013).Dehumanized - Prophecies Foretold (1998).Reverence - Chamber of Divine Elaboration (2007).Haunting Depths - Death's Sacred Fire (2017).IC Rex - Sielun Kadotuksen Sinfonia (2005).The Muffs - Happy Birthday to Me (1997).Ulrich Schnauss - Far Away Trains Passing By (2001). ![]() As Vampiric Shades and Belial Winds - Faustian Son.Rabies Caste - For the Vomiting Tractor Drivers (1.Thy Catafalque - Tűnő idő tárlat (2004).Lisa Germano - Lullaby for Liquid Pig (2002).Endless Dismal Moan - Lord of Nightmare (2006).Karl Schaffner & Lothar Grimm - Birds of Passage (.Sulphuric Night - Scorpio Acuelum (2015).Needless to say, the specter of loss and mortality hangs over this record's every moment, and you can definitely hear it. From These Wounds was written in the aftermath of the suicide of founding guitarist/vocalist Einar Andre Fredriksen (who some of you might recognize from his appearance on this album cover.) Then, heartbreakingly, one of their guitarists, Christian Loos, committed suicide just before the album's release. Sorrowful baritone vocals over crushing riffs, majestic keyboards, and generally melodic but utterly desolated sounds that are equally informed by funeral doom and gothic death.
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